Josh Wink

Josh Wink

Twitter

joshwink1
My remix of this fun track by #freaks is out today on my friends @eats_everything label @EdibleRecords #acid… https://t.co/u3HlMninl4
@joshwink1 • 23 Feb 2018 • 21:53
joshwink1
Thanks @petetong #honored have a great weekend! https://t.co/MyI3GkmgdH
@joshwink1 • 23 Feb 2018 • 21:49
joshwink1
#sterrenmunt kind of day #teatime #mydutchieswillknow https://t.co/TgE4ECnC9m
@joshwink1 • 22 Feb 2018 • 16:11
joshwink1
Happy birthday my bro: The man who holds it down and is Mr. Positivity! Matty B! Love ya! @ovumrecordings
@joshwink1 • 22 Feb 2018 • 13:31
joshwink1
Heck with snow DC! It’s gonna be tha usual hot & sweaty good mess @FlashClubDC tonight. #amtrak even on time! https://t.co/314bcayFqe
@joshwink1 • 18 Feb 2018 • 00:23
joshwink1
Live Q&A on @beatport Facebook page in 10 mins! 11AM east coast time! 😀
@joshwink1 • 13 Feb 2018 • 16:53
joshwink1
Live Facebook Q&A from my philly studio 2morrow feb13 on @beatport or joshwinkofficial Facebook page at 11AM(east c… https://t.co/NtlKYDPV4k
@joshwink1 • 12 Feb 2018 • 19:09
joshwink1
What better thing to do in dallas at 7am. Ride the new city bikes! Thanks @djredeye71 & Music heads for a fun night… https://t.co/bSqvoBuw49
@joshwink1 • 11 Feb 2018 • 15:24
joshwink1
Thanks to @SIMshows for an amazing show last night @REVmpls in #Minneapolis Wish all gigs could be like that! Hot,… https://t.co/biKBB8Lecp
@joshwink1 • 10 Feb 2018 • 19:12
joshwink1
Excited to return to #dallas Tonight w #djredeye at It’ll Do! & it’s gonna be sweaty in that… https://t.co/mpoZA3EhcI
@joshwink1 • 10 Feb 2018 • 18:57
joshwink1
An old article yet great to read again in support of my return to #Minneapolis @REVmpls tonight.A week late for Sup… https://t.co/uaVfyY2Ish
@joshwink1 • 09 Feb 2018 • 23:54
joshwink1
1 of my favorite sightings of the day at #eagles parade! #eaglesnest #gobirds🦅 @ Community… https://t.co/qhWeJj2hT3
@joshwink1 • 09 Feb 2018 • 02:20
joshwink1
Been a while #Leeds #uk. Happy to be back for this 1 tonight. #happy6th #edible https://t.co/ijvTSqFPnX
@joshwink1 • 27 Jan 2018 • 21:17
joshwink1
Happy to have been involved with this important club in Barcelona over the years. And tonight… https://t.co/4RX8OGmLmp
@joshwink1 • 25 Jan 2018 • 08:14
joshwink1
New @AndreCromDJ debut release on @ovumrecordings out now. #expansions #techno #traxsource… https://t.co/0LFItk0eFs
@joshwink1 • 23 Jan 2018 • 20:08

Bio

When you’re as iconic a figure as Josh Wink, it’s not so easy to sum up a career in a few words—but there are a couple of terms that might serve to get a handle on the seminal electronic-music producer’s lifework. One of the most apt, certainly, would be longevity. A brief scan of Wink’s mammoth résumé reveals the following: Early-’80 days as an underage mobile DJ; a major role in fostering his native Philadelphia’s burgeoning warehouse scene during the house-music explosion later that decade; name-making ’90s club hits like “Don’t Laugh,” “Higher State of Consciousness” and “I’m Ready”; a label, Ovum Recordings, that’s undisputedly one of the most essential dance-music imprints; and his current position, after all these years, as one of the scene’s most vibrant and creative DJs and producers (witness the critical success of his 2009 long-player When A Banana Was Just A Banana).


Another word one could use to encapsulate Wink’s oeuvre is versatility. From the twisting, acidic breakbeat of the aforementioned “Higher States” to the organ-groove deepness of 2008’s “Stay Out All Night,” and from the pulsating ambience of 1996’s “Horizontal Dancing” to the streamline liquid techno of his recent remix of Agaric's “Who Made Up the Rules”—with side trips along the way for drum ’n’ bass beats and hip-hop rhythms (Wink was a regular at West Philly DJ battles as a kid)—his sound ranges as far and wide as anyone’s. The same could be said for Ovum as well, which over the 16 years has released music from such varied artists as dream-vibe drum ’n’ bass specialist Jamie Myerson, Wild Pitch originator DJ Pierre and jack-track master DJ Sneak, to mention but a few. As with Wink’s own material, it’s timeless music—you could play a cut like David Alvarado’s swirling, percussion-drenched “Klugh” at a techno hoedown today, and it would sound as fresh as it did upon its late-’90s release; as with most of Ovum's catalog, it's music that's not defined by time or trends.


Which brings us to our final term: integrity. It’s a trait that Wink possesses by the crateful, one that’s carried him through the vagaries of dance music’s endless cycles. Some who hit big when Wink did are content to live off past successes; others chase trends in an effort to stay relevant. But Wink has always been happy—determined, really, to do his own thing and follow his own path—if the music sells and the gigs keep coming, that’s great, but that’s not why he’s still in the game. “I got into this because it was something that I lived and ate and breathed,” Wink says. “There was so much passion for the music, there was nothing else for me. Whatever notoriety and success had come from this, it’s kind of a mistake, a byproduct, and I never planned for that. I never knew I could make a living from doing what I loved when I was a teenager; my parents thought it was a fad, actually.” And what do his folks think now over 25 years later? “Oh,” he says with a chuckle,” they love it.” 

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